718
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
this post was submitted on 07 Sep 2024
718 points (98.4% liked)
Memes
45444 readers
481 users here now
Rules:
- Be civil and nice.
- Try not to excessively repost, as a rule of thumb, wait at least 2 months to do it if you have to.
founded 5 years ago
MODERATORS
The jump from mono to stereo made a lot of engineers' heads spin. Then again, how many 100% perfect 5.1 albums have you heard?
Actually, I've listened to only three 5.1 remixes, all of them phenomenal albums to begin with, and their 5.1 jobs were pretty meh. Yoshimi Battles the Pink Robots came out pretty good, but mainly because they just fucked around and tried stuff.
I hate the “spatial” mixes.
Sometimes they’re done really well, but most of the time it’s just putting different parts of the song in different areas and makes it sound “diluted”.
Like, the guitar is in front of you, then the bass is behind and to the left… why??
You’re missing a key ingredient: Lysergic acid diethylamide.
In all other circumstances I agree with you.
Lysergic acid diethylamide doesn’t fix a bad mix.
You can still hear all the separate instruments surrounding you on a good regular mix, all the spatial does is break the interwoven sound.
I mean... Have you ever listened to "Whole Lotta Love" or "Axis: Bold as Love" while tripping balls? Those panning parts are pretty wild.
My understanding is that most (at least rock) music is mixed this way, just subtle enough to help your brain pick out instruments but not enough to consciously notice.
Music is mixed that way, but spatial then takes a hammer to that concept.
It takes away the single interwoven sound and imo sounds like different tracks being played on opposite sides of the room.
I usually try the atmos mix for an album if it’s available on tidal, and usually all it ever does is remove the punch from songs.