1083
Music Piracy Is Back, Baby
(gizmodo.com)
you are viewing a single comment's thread
view the rest of the comments
view the rest of the comments
this post was submitted on 02 Feb 2024
1083 points (98.0% liked)
Technology
60112 readers
2591 users here now
This is a most excellent place for technology news and articles.
Our Rules
- Follow the lemmy.world rules.
- Only tech related content.
- Be excellent to each another!
- Mod approved content bots can post up to 10 articles per day.
- Threads asking for personal tech support may be deleted.
- Politics threads may be removed.
- No memes allowed as posts, OK to post as comments.
- Only approved bots from the list below, to ask if your bot can be added please contact us.
- Check for duplicates before posting, duplicates may be removed
Approved Bots
founded 2 years ago
MODERATORS
Piracy creates an endless loop of artists taking advances and eventually losing royalties. That's just what I've seen growing up in the music /film/ TV industry and briefly working in both. Screw labels and Spotify but go support artists and actually buy stuff.
Artists have never made much on sales anyway. Go to shows.
“It’s my understanding that I had over 80 million streams on Spotify this year, So, if I’m doing the math right that means I earned $12. Enough to get myself a nice sandwich at a restaurant. So, from the bottom of my heart, thanks for your support, and thanks for the sandwich.” - Weird Al
buy swag from their web presence if you are old and your ears can't do live shows no more.
Noise attenuating earbuds are a game changer, haven't gone home with ringing ears since I started using them.
Those are called earplugs.
Ticketmaster has kicked in the doors of the chat, and secured every exit with burly goons.
Fucking dirtbags. They were recently forced to lump all their fees into the ticket price so their new tactic is to tack on fake taxes when purchasing tickets. I recently bought some for a festival through a ticketmaster subsidiary (to a venue owned by ticketmaster) and they charged me $33 in taxes on the purchase. The thing is, I live in Oregon where we don't have any sales tax. I wrote both them and the promoter asking about it and they gave me some bullshit excuse about them being "state and local taxes" (venue is in rural Washington) even though that's not how it works when it comes to purchases nor are there any local taxes in that area. The rate they charged me doesn't even match the WA sales tax rate.
This is still making them a significant amount of money regardless of Ticketmaster.
No they don't. I don't have a problem with let me listen to this to see if I should buy it. That's totally understandable. People who just do it to get everything free is what I have a problem with. If you really like the work find a way to support them because those numbers open doors to bigger opportunities.
Totally agree on the show's and I've seen some big name artists at small shows randomly. Also some really good merchandise.
This is the way.
Seems like advances exited long before piracy was a significant thing. Though I'm sure piracy does contribute to the imbalance like you describe.
I don't mind paying artists for work that I like. Hell, I've bought much of my collection 3 times now: LP, cassette, CD. I never bought MP3s - just ripped them myself. All my CDs are in storage, which is dark, cool, and dry.
I'm pretty sure the distributors kept most of that money.
And that's where the bulk of the problem lies: the power brokers that have always tried to control production and distribution.
And that goes back a long way. I know I'm being repetitive, but Payola has been around a long time, and rather indicative of the state of media production. It's not like these ideas left just because someone got busted... They just learned new ways to accomplish the same goals of controlling the media marketplace without getting caught.